I watched this movie from my laptop, while waiting in the Cleveland Airport for a flight west on Wednesday. My blogging will be erratic for the next week. I'll try to get up some pictures of the Utah mountains.
Ikiru, directed by Akira Kurosawa, Japan 1952 (B&W, Japanese with English subtitles)
Watanabe is the public affair’s section chief for the Tokyo bureaucracy. He's dying of stomach cancer. Knowing death is imminent, he strives to find what life is all about. Much of the movie is dark, as we see the inefficiency of a bureaucracy that exists only for itself. Watanabe’s days are spent stamping papers and referring request to other departments within the government. Early in the film, a group of women come to the Watanabe, asking for help in cleaning up a cesspool. Watanabe says they have to go elsewhere, and every department gives them the run around. Nothing gets done.
Feeling sorry for himself, and thinking that his son is only interested in his money, Watanabe goes out for a night on the town. When I rented this film from Netflix, I mistakenly thought it might be a Japanese version of “Leaving Las Vegas.” Someone who is dying (although Nicholas Cage in “Leaving Las Vegas” didn’t have a terminal illness) goes out on a binge. I was wrong. Yes, Watanabe does go out for a night on the town, but he finds there’s much to live for. He meets a author who, upon learning about his cancer, shows him the nightlife of Tokyo. They go to a cabaret and a strip club. The next day he meets Toyo, a young woman who works in his section. She’s decided to quit working for the government. They spend several days together, not as lovers as his son thinks, but with Toyo helping Watanabe get in touch with his desire to live. Watanabe has an epiphany. Having come to the conclusion that he’s wasted his life doing nothing, he goes back to the office and pulls out the petition from the women who had complained about the cesspool in their neighborhood. He sets out to clean it up and to create a new park in a poor section of the city, a task that forces him to go against customs and to challenge his superiors.
The movie then shifts to Watanabe’s funeral. His son and wife, along with his co-workers and even the deputy mayor gathered in front of a shrine set up for Watanabe. As they drink sake, people come to pay their respect. Slowly, Watanabe’s role in creating the new park comes out. You learn from a policeman visiting the shrine that Watanabe had died in the park, on a swing where he’d been singing an old love song (Life is Short) during a snowstorm. As the sake takes over, Watanabe’s co-workers pledge themselves to reform the government. The movie then ends with two short scenes, Watanabe’s co-workers going back to old habits and with children playing in the park.
This movie is a Japanese adaptation of Tolstoy’s The Death of Ivan Ilyich. It’s pace is at times slow, but Karosawa tells a compelling story: the hopelessness of many people caught within the bureaucracy as well as the difference Watanabe made once he had a vision. Ikiru means “to live,” and the film is about finding meaning for life. After this movie, Karosawa went on to direct one of the most famous Japanese films, the “Seven Samurai.”
Watanabe is the public affair’s section chief for the Tokyo bureaucracy. He's dying of stomach cancer. Knowing death is imminent, he strives to find what life is all about. Much of the movie is dark, as we see the inefficiency of a bureaucracy that exists only for itself. Watanabe’s days are spent stamping papers and referring request to other departments within the government. Early in the film, a group of women come to the Watanabe, asking for help in cleaning up a cesspool. Watanabe says they have to go elsewhere, and every department gives them the run around. Nothing gets done.
Feeling sorry for himself, and thinking that his son is only interested in his money, Watanabe goes out for a night on the town. When I rented this film from Netflix, I mistakenly thought it might be a Japanese version of “Leaving Las Vegas.” Someone who is dying (although Nicholas Cage in “Leaving Las Vegas” didn’t have a terminal illness) goes out on a binge. I was wrong. Yes, Watanabe does go out for a night on the town, but he finds there’s much to live for. He meets a author who, upon learning about his cancer, shows him the nightlife of Tokyo. They go to a cabaret and a strip club. The next day he meets Toyo, a young woman who works in his section. She’s decided to quit working for the government. They spend several days together, not as lovers as his son thinks, but with Toyo helping Watanabe get in touch with his desire to live. Watanabe has an epiphany. Having come to the conclusion that he’s wasted his life doing nothing, he goes back to the office and pulls out the petition from the women who had complained about the cesspool in their neighborhood. He sets out to clean it up and to create a new park in a poor section of the city, a task that forces him to go against customs and to challenge his superiors.
The movie then shifts to Watanabe’s funeral. His son and wife, along with his co-workers and even the deputy mayor gathered in front of a shrine set up for Watanabe. As they drink sake, people come to pay their respect. Slowly, Watanabe’s role in creating the new park comes out. You learn from a policeman visiting the shrine that Watanabe had died in the park, on a swing where he’d been singing an old love song (Life is Short) during a snowstorm. As the sake takes over, Watanabe’s co-workers pledge themselves to reform the government. The movie then ends with two short scenes, Watanabe’s co-workers going back to old habits and with children playing in the park.
This movie is a Japanese adaptation of Tolstoy’s The Death of Ivan Ilyich. It’s pace is at times slow, but Karosawa tells a compelling story: the hopelessness of many people caught within the bureaucracy as well as the difference Watanabe made once he had a vision. Ikiru means “to live,” and the film is about finding meaning for life. After this movie, Karosawa went on to direct one of the most famous Japanese films, the “Seven Samurai.”
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When I began reading, I thought this was not a film that would appeal to me, but as I read further down, I see that it might be after all. Your reviews are always so thoughtful, Sage. Thanks.
ReplyDeleteI had the same reaction as kenju - nice review, sage!
ReplyDeleteHey! Give us a jingle or stop by when you're in the neighborhood...if you have the time, we'd love to catch up with you!
ReplyDeleteI had watched it when I was lot younger. I did not remember much of it until I read your review. If I get hold of it, I will watch it again.
ReplyDeleteYou hitch hiking? Read about that on pat's blog.
Have fun!
Kenju & Diane: remember, the movie isn't exactly action packed, but does tell a good story.
ReplyDeleteNon-Angel: I'll give you a call when I get back to Southern Utah--I'll be in and out as I'll be going out for a few days of hiking.
Gautami: I'll have to go back and read what I wrote on the Pat's blog... No, I've been at a conference since Thursday afternoon. But the lectures and workshops ended yesterday morning.
Man you come up with the most interesting movies. Movies I certainly would pull off any shelf, except for reading your reviews. Have fun in Utah--I'm envious.
ReplyDeleteGreat review Sage (as usual). I think I've seen this film but it has now been several years and I'm not entirely sure.
ReplyDeleteI'm a big Kurosawa fan. I highly recommend SEVEN SAMURAI and I'm guessing that might be next on your list of Kurosawa films. But I'd also like to highly recommend RASHOMAN. In any case, both are amazing films.