The
Big Rock Candy Mountain is often described as Wallace Stegner’s most
autobiographical novel. But it’s not
just an autobiography, it’s a family history.
The book tells not only the story of Bruce Mason, but also that of his
parents (Bo and Elsa), and his older brother (Chet). The book begins with Elsa fleeing her father’s
home, after he’d married her best friend.
She heads to her uncle’s in the Dakotas.
Taking the train, she sits by a dirty window, watching the telegraph lines
dip and rise like swallows, her stomach also dipping and rising as she thinks
about the home she’s leaving. From the
beginning, Stegner creatively uses words to describe the landscape and what’s
going on within his characters. Staying
with her uncle, Elsa meets Bo, a former baseball standout who is running an
illegal bar. Bo had left home when he
was 14. He later persuades Elsa to marry
him.
Bo is a dreamer who is always envisioning making it big. With his wife and later with two boys in tow,
they travel all over the western United States and Canada. At times, Bo finds it necessary to abandon
his family, leaving them to their own resources, but when things are better he
reunites with them. Along the way, both
boys learn to hate their father. He’s
never content and nothing is ever good enough for him. He’s strict on his boys, insisting that
providing them a good living is all required of him. But it’s a living on the run. At times he tries to make a honest living by
running a hotel or farming or running a casino in Nevada, but when things get
shaky, Bo returns to bootlegging.
As the boys mature, they find themselves in Salt Lake
City. Chet, who is a promising baseball
player falls for a local woman and against his parent’s advice, marries
her. As a young man, when Bruce is away
in college, Chet dies. Leaving Salt Lake, the family ends up in Nevada, Bo a
part owner of a casino in Reno and the family living in a summer cottage on
Lake Tahoe. But then cancer strikes
Elsa. They move back to Salt Lake City
where she dies, setting up a confirmation between Bruce and Bo. The two part ways and Bruce heads back to
school. Bo is no longer the young man he
once was and is spinning out of control.
He has invested most of his money in a Nevada mine that bleeds him. He has a woman who, when he begins to lose
everything, leaves him. At the end of
the book, Bo kills her and then himself, leaving Bruce as the only survivor.
The story line in the book often jumps over years, settling
in on particular events in which the author creates detail vignettes that
together create the story of the Mason family.
Stegner tells us of the hardships of dry land farming in Canada, of the influenza
epidemic, of prohibition, and of Reno during the early years of legalized
gambling. Like a long-winded preacher
who you think is about to bring his sermon to a close, only to go off in a new
direction, Stegner often inserted a summary that made me think he was wrapping
up the book, only to pick up on a new thread that pushes the story into a new
direction. Yet, he tells these stories
with such detail descriptions that catches the essence of the event and the
place, which causes the reader to be drawn back, again and again, into the
story.
I had a love/hate relationship with this book. No doubt it is an American classic and should
rank a spot on the shelf next to The
Grapes of Wrath and Huckberry Finn and
On the Road as examples of how the
West and a wanderlust desire is engrained in our psyche. This book is also a case study of the failure
of the rugged individual to find happiness.
The way the book is written, one is drawn into the love of the west as
felt by Stegner. However, it is also a book that could have
used some additional editing. I listened to the unabridged audio edition of
the book, which was nearly 26 hours in length.
"The Big Rock Candy Mountain," (not the real one for it doesn't exist, but this is located along US 89, just north of Marysville, Utah) |
It strikes me as being a story with very little interest told in an interesting way. BTW, I so dislike when the sermon goes in all different ways and it does not get wrapped up. I tend to lose the point altogether, if there was ever a point. Was there a point in the story told in this book?
ReplyDeleteIt would seem you wouldn't want to be over fragile reading it. Where's the sin though. In the Greek tragedies there is always and original sin to start things off. In Oedipus, the crime is Jocasta for not killing the child as ordered by her husband. Of course had she done so she would have been chased by the older and far more dangerous furies for breaking that law.
ReplyDeleteThis one sounds like a good candidate for audio listening in the car during travel. I have "Angle of Repose" by Stegner on my reading line up for someday.
ReplyDeleteinteresting...is it any different than many of our lives...could use some editting and sometimes missing the point...smiles...ha...nice fair assessment...
ReplyDeleteI haven't read it, but I've seen it and it surely lookes heavy. Tighter construction of it would have been a plus.
ReplyDeleteI haven't read it but would like to.
ReplyDeleteSage: I feel bad about not getting to the short pile of books I have on my coffee table. So, I admire how dedicated you are to reading! I hope to improve in this department!!
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